| Course Code | Course Name |
LO1 |
LO2 |
LO3 |
LO4 |
LO5 |
LO6 |
LO7 |
LO8 |
LO9 |
LO10 |
LO11 |
LO12 |
LO13 |
LO14 |
LO15 |
LO16 |
LO17 |
LO18 |
LO19 |
|
ADS201 |
Free Elective 1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
5 |
|
ADS202 |
Free Elective 2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
5 |
|
ADS301 |
Free Elective 1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
5 |
|
ADS302 |
Free Elective 2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
5 |
|
ADS303 |
Free Elective 3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
5 |
|
ADS304 |
Free Elective 4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
5 |
|
TİK 115 |
History of Civilization I |
0 |
2 |
3 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
1 |
|
TİK 220 |
Psychology of Behaviour |
5 |
1 |
0 |
5 |
1 |
0 |
2 |
2 |
0 |
5 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
0 |
0 |
|
TİK 421 |
Social Psychology |
5 |
1 |
0 |
5 |
1 |
0 |
2 |
2 |
0 |
5 |
1 |
2 |
0 |
0 |
3 |
2 |
1 |
|
TİK 442 |
Theories of Art and Aesthetics |
0 |
3 |
3 |
5 |
0 |
1 |
4 |
5 |
2 |
0 |
1 |
4 |
0 |
0 |
2 |
1 |
4 |
|
TİM 131 |
Acting I |
5 |
2 |
3 |
4 |
3 |
2 |
4 |
4 |
5 |
5 |
5 |
3 |
3 |
5 |
5 |
5 |
5 |
3 |
3 |
|
TİM 132 |
Improvisation |
5 |
2 |
3 |
4 |
3 |
1 |
4 |
4 |
5 |
5 |
5 |
5 |
3 |
3 |
5 |
5 |
5 |
|
TİM 133 |
Phonetic and Diction I |
4 |
2 |
2 |
5 |
5 |
1 |
4 |
2 |
2 |
4 |
3 |
2 |
1 |
5 |
5 |
4 |
4 |
0 |
0 |
|
TİM 231 |
Acting II |
5 |
2 |
3 |
4 |
3 |
1 |
4 |
4 |
5 |
5 |
5 |
5 |
3 |
3 |
5 |
5 |
5 |
|
TİM 232 |
Stage I |
5 |
3 |
3 |
4 |
3 |
2 |
4 |
4 |
5 |
5 |
5 |
5 |
2 |
2 |
5 |
5 |
5 |
|
TİM 233 |
Phonetic and Diction II |
4 |
2 |
2 |
5 |
5 |
1 |
4 |
2 |
2 |
4 |
3 |
2 |
1 |
5 |
5 |
4 |
4 |
|
TİM 331 |
Acting III |
5 |
4 |
4 |
5 |
3 |
1 |
4 |
4 |
5 |
5 |
5 |
5 |
2 |
2 |
5 |
5 |
5 |
|
TİM 332 |
Stage II |
5 |
4 |
4 |
4 |
3 |
5 |
4 |
4 |
5 |
5 |
5 |
5 |
2 |
2 |
5 |
5 |
5 |
|
TİM 333 |
Diction I |
4 |
2 |
2 |
5 |
5 |
1 |
4 |
2 |
2 |
4 |
3 |
2 |
1 |
5 |
5 |
4 |
4 |
|
TİM 431 |
Acting IV |
5 |
4 |
3 |
4 |
4 |
5 |
5 |
4 |
5 |
5 |
5 |
5 |
2 |
2 |
5 |
5 |
5 |
|
TİM 432 |
Stage III |
5 |
4 |
3 |
4 |
4 |
5 |
5 |
4 |
5 |
5 |
5 |
5 |
2 |
2 |
5 |
5 |
5 |
|
TİM 433 |
Diction II |
4 |
2 |
2 |
5 |
5 |
1 |
4 |
2 |
2 |
4 |
3 |
2 |
1 |
5 |
5 |
4 |
4 |
|
TYM 107 |
Theories and History of Theatre I |
0 |
3 |
4 |
5 |
0 |
2 |
1 |
1 |
3 |
1 |
2 |
3 |
0 |
0 |
3 |
1 |
3 |
|
TYM 108 |
Dramaturgy I |
0 |
3 |
4 |
5 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
3 |
|
TYM 109 |
Solfeggio I |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
2 |
5 |
0 |
2 |
5 |
0 |
0 |
|
TYM 134 |
Movement for Stage I |
3 |
3 |
1 |
3 |
0 |
4 |
3 |
1 |
1 |
5 |
1 |
1 |
5 |
0 |
1 |
1 |
1 |
|
TYM 135 |
Rhythmic and Dance I |
0 |
0 |
0 |
3 |
0 |
2 |
3 |
2 |
1 |
5 |
1 |
1 |
5 |
1 |
0 |
2 |
4 |
|
TYM 136 |
Vocal Training |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
5 |
2 |
2 |
2 |
|
TYM 137 |
Fencing I |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
1 |
5 |
0 |
1 |
3 |
1 |
|
TYM 143 |
Language and Plastics of Body I |
2 |
0 |
0 |
3 |
0 |
2 |
3 |
2 |
1 |
5 |
1 |
1 |
5 |
1 |
1 |
2 |
4 |
|
TYM 207 |
Theories and History of Theatre II |
0 |
3 |
4 |
5 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
3 |
|
TYM 208 |
Dramaturgy II |
0 |
4 |
3 |
5 |
0 |
2 |
1 |
4 |
4 |
2 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
|
TYM 234 |
Movement for Stage II |
3 |
3 |
1 |
3 |
0 |
4 |
3 |
1 |
1 |
5 |
2 |
1 |
5 |
0 |
1 |
1 |
1 |
|
TYM 235 |
Rhythmic and Dance II |
0 |
0 |
0 |
3 |
0 |
2 |
3 |
4 |
1 |
5 |
1 |
1 |
5 |
1 |
0 |
2 |
4 |
|
TYM 236 |
Singing I |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
5 |
2 |
2 |
2 |
|
TYM 237 |
Fencing II |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
5 |
0 |
1 |
3 |
1 |
|
TYM 238 |
Stage Combat Technics |
3 |
3 |
1 |
3 |
0 |
4 |
3 |
1 |
1 |
5 |
2 |
1 |
5 |
0 |
1 |
1 |
1 |
|
TYM 243 |
Language and Plastics of Body II |
0 |
0 |
0 |
3 |
0 |
2 |
3 |
4 |
1 |
5 |
1 |
1 |
5 |
1 |
0 |
2 |
4 |
|
TYM 307 |
Theories and History of Theatre III |
0 |
3 |
4 |
5 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
3 |
|
TYM 334 |
Movement for Stage III |
0 |
0 |
1 |
2 |
0 |
5 |
4 |
0 |
2 |
5 |
1 |
1 |
5 |
0 |
1 |
1 |
0 |
0 |
0 |
|
TYM 336 |
Singing II |
3 |
1 |
1 |
3 |
2 |
0 |
1 |
1 |
0 |
3 |
2 |
2 |
0 |
5 |
2 |
2 |
2 |
0 |
0 |
|
TYM 338 |
Make-up |
1 |
2 |
3 |
1 |
0 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
|
TYM 341 |
Historical and Character Dances |
2 |
1 |
1 |
4 |
0 |
2 |
4 |
5 |
1 |
5 |
1 |
1 |
5 |
1 |
0 |
2 |
4 |
|
TYM 407 |
Theories and History of Theatre IV |
0 |
3 |
4 |
5 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
3 |
0 |
0 |
3 |
1 |
3 |
|
TYM 418 |
History of Turkish Theatre |
0 |
4 |
4 |
5 |
0 |
2 |
1 |
1 |
3 |
0 |
2 |
4 |
0 |
0 |
3 |
1 |
3 |
|
TYM 441 |
Saloon Dances |
2 |
1 |
1 |
4 |
0 |
2 |
4 |
5 |
1 |
5 |
1 |
1 |
5 |
1 |
0 |
2 |
4 |
|
TYM209 |
Solfeggio II |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
5 |
0 |
2 |
5 |
|
TYM337 |
Fencing III |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
4 |
0 |
1 |
5 |
0 |
0 |
3 |
1 |
|
TYM448 |
Make-Up II |
1 |
0 |
2 |
3 |
1 |
2 |
2 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
3 |
3 |
|
YD 409 |
English |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
|
YD 410 |
English |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
| * Relation levels are between 0 (minimum) and 5 (maximum). |