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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
Selection of people who have a reputation in history (artists, scientists, politician, thugs, etc.) necessary for the character Etudes that will be studied on throughout the year and the selection and research on the literary and historical materials that represent them. research to tell them. |
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Special Support/ Structural examples |
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2 |
Selection of people who have a reputation in history (artists, scientists, politician, thugs, etc.) necessary for the character Etudes that will be studied on throughout the year and the selection and research on the literary and historical materials that represent them. |
Homework1: Preparing a file and Etude drafts that include the research and results of the selected characters within the basis of great circle. |
Special Support/ Structural examples |
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3 |
Selection and research of literary material (novel, story and dramatic work) which is necessary for the character Etudes that the student form using his own images and will be studied on throughout the year. |
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Special Support/ Structural examples |
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4 |
Selection and research of literary material (novel, story and dramatic work) which is necessary for the character Etudes that the student form using his own images and will be studied on throughout the year. |
Homework 2: Preparing a file and Etude drafts that include the research and results of the selected literary materials within the basis of great circle. |
Special Support/ Structural examples |
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5 |
Homeworks Report * |
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Special Support/ Structural examples |
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6 |
Homeworks Report * |
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Special Support/ Structural examples |
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7 |
Explanation of the basic information of the concept of character and approach to character. |
Study on the correction of detected mistakes.. |
Special Support/ Structural examples |
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8 |
Explanation of the basic information of the concept of character and approach to character. |
Study on the correction of detected mistakes. |
Special Support/ Structural examples |
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9 |
Practical explanation of the concepts of "form and content" taking the character that will be studied on as a basis. Study on character Etudes and the performance techniques of action dynamism required by the suggested conditions in the silence stages. |
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Special Support/ Structural examples |
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10 |
Practical explanation of the concepts of "form and content" taking the character that will be studied on as a basis. Study on character Etudes and the performance techniques of action dynamism required by the suggested conditions in the silence stages. |
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Special Support/ Structural examples |
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11 |
Homeworks 1 Report and error correction. |
.Study on the correction of detected mistakes. |
Special Support/ Structural examples |
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12 |
Homeworks 1 Report and error correction |
Study on the correction of detected mistakes. |
Special Support/ Structural examples |
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13 |
Homeworks 2 Report and error correction |
Study on the correction of detected mistakes. |
Special Support/ Structural examples |
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14 |
Homeworks 2 Report and error correction. |
Study on the correction of detected mistakes. |
Special Support/ Structural examples |
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15 |
Semester analysis and general revision. |
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Special Support/ Structural examples |
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16 |
Semester analysis and general revision. |
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Special Support/ Structural examples |
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17 |
Implementation of the techniques and knowledge on creating a character that have been taught in the first term on the caharcaters in the plays that are studied within the stage class. Reading rehearsals. |
Work on the role - book |
Special Support/ Structural examples |
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18 |
Implementation of the techniques and knowledge on creating a character that have been taught in the first term on the caharcaters in the plays that are studied within the stage class. Reading rehearsals. |
Work on the role - book |
Special Support/ Structural examples |
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19 |
Determination of the aims and actions, search for the characters with analysis with action in the rehearsals in marke decor. |
.Study on the correction of detected mistakes. |
Special Support/ Structural examples |
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20 |
Marke decor made in rehearsals, through analysis with action of the search for the character, purpose and determination of actions. |
Study on the correction of detected mistakes. |
Special Support/ Structural examples |
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21 |
Marke decor made in rehearsals, through analysis with action of the search for the character, purpose and determination of actions |
Study on the correction of detected mistakes. |
Special Support/ Structural examples |
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22 |
The establishment of the actual decor of the play. Presentation of the character´s make-up that has been thought with the costume. |
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Special Support/ Structural examples |
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23 |
Flow Rehearsals based on the trio of "character, impact-assessment-response and tempo-rhythm," |
Study on the correction of detected mistakes. |
Special Support/ Structural examples |
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24 |
Flow Rehearsals based on the trio of "character, impact-assessment-response and tempo-rhythm," |
Study on the correction of detected mistakes. |
Special Support/ Structural examples |
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25 |
Flow Rehearsals based on the trio of "character, impact-assessment-response and tempo-rhythm," |
.Study on the correction of detected mistakes. |
Special Support/ Structural examples |
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26 |
General rehearsal. |
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Special Support/ Structural examples |
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27 |
The premiere of the studied play. |
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Special Support/ Structural examples |
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28 |
Analysis of premiere, determination of the mistakes and putting the play on stage.*
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* Assignment 3: A file that shows the content of the studies that heve been done through the year and the process of creating a character. |
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29 |
Analysis of previous stage play, determination of the mistakes, putting the play on stage. |
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30 |
Analysis of previous stage play, determination of the mistakes, putting the play on stage |
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31 |
Preparation for Final Exam |
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32/33/34 |
Final Exam Report Homework 3* and assertion. |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
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1 |
With the help of techniques and methods of acting, this programme teaches the ways of expressing the emotions and thoughts of the character to play on stage. |
5 |
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2 |
Students comprehensively search for the national and international theatre literature, techniques and methods, synthesize the knowledge they acquired considering the requirements of the age and gain a critical point of view. |
4 |
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3 |
Taking the art of Theatre-Acting into consideration, students comprehend the improvement and transformation period of the art from past to the future, and adapt it according to the requirements of the age. |
4 |
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4 |
The Art of Theatre-Acting is supported with methods, theories, history, the techniques of using voice and body, behavioral psychology, and aesthetics and art theories. This programme helps undergraduates to comprehend the concept of art and have the knowledge sufficient to transfer to the future with the past. |
5 |
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5 |
This programme teaches the ways of gaining the ability of using Turkish correctly and efficiently. |
3 |
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6 |
Having sufficient information on stage technology, students comprehend how to express the artistic expression images of the play. |
1 |
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7 |
Considering the art of Theatre-Acting, students learn a social and aesthetic point of view and can apply this on performing arts, radio, television and cinema. |
4 |
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8 |
Students gain the ability to evaluate universal values with the knowledge acquired in their own field of study. |
4 |
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9 |
This programme provides with the ways of finding the necessary documents, tools, resources, and the archive related to the art of theater - acting. |
5 |
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10 |
Improving coordination skills, students know about and analyze their own body, emotions and thoughts and gain the ability to use their natural mechanism as an instrument on the stage. |
5 |
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11 |
Students gain the ability to present information related to the Art of Theatre-Acting to various audiences. |
5 |
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12 |
Students gain awareness of being an artist who is aware of the responsibility to themselves, their own country and to the humanity. |
5 |
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13 |
In addition to acting techniques, this programme teaches the correct ways of using body on stage with movement, dance, body plastic and fencing disciplines.
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2 |
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14 |
This programme teaches the ways of using voice correctly on stage supporting this with the voice and speech techniques, singing, solfege and ear training. |
2 |
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15 |
Students gain communication and social competence skills as a natural part of the art of theater - acting. |
5 |
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16 |
Students gain the habit and awareness of having art ethics and professional discipline together with the professional acting qualifications. |
5 |
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17 |
As an artist, students improve themselves continually, and combine the knowledge and skills appropriate for the rules of professional ethics with the other fields of art and make correlations between them. |
5 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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