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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
Presentation of dramaturgical materials (play texts) to be worked on all year and selection of scenes. |
Preparing a file containing term research, the author research and analyzes of the characters of selected dramatic works. |
Special Support / Structural Examples |
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2 |
Presentation of dramaturgical materials (play texts) to be worked on all year and selection of scenes. |
Research - Analysis |
Special Support / Structural Examples |
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3 |
Explanation of professional behavior rules on the stage, rehearsal and coulisse ethics. |
Source Reading, Research |
Special Support / Structural Examples |
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4 |
Explanation of professional behavior rules on the stage, rehearsal and coulisse ethics. |
Source Reading, Research |
Special Support / Structural Examples |
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5 |
Sensing the Stage Environment. Explanation of rules about using Stage technology (rotary stage, lighting, sound, and curtain systems) on the existing stage. |
Source Reading, Research |
Special Support / Structural Examples |
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6 |
Sensing the Stage Environment. Explanation of rules about using Stage technology (rotary stage, lighting, sound, and curtain systems) on the existing stage. |
Source Reading, Research |
Special Support / Structural Examples |
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7 |
Sensing the partner. Practical explanation of basic principles about establishing relationships with the partner while performing on the stage on particular scenes. |
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Special Support / Structural Examples |
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8 |
Sensing the partner. Practical explanation of basic principles about establishing relationships with the partner while performing on the stage on particular scenes. |
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Special Support / Structural Examples |
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9 |
Self-evaluation and analysis |
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Special Support / Structural Examples |
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10 |
Practical adaptation rehearsals of the basic principles about the use of the decor, costumes and accessories, in prepared scenes. |
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Special Support / Structural Examples |
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11 |
Practical adaptation rehearsals of the basic principles about the use of the decor, costumes and accessories, in prepared scenes. |
Correction and study of detected mistakes. |
Special Support / Structural Examples |
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12 |
Presentation of selected dramatic works by the students and studying on the correction of mistakes. |
Correction and study of detected mistakes. |
Special Support / Structural Examples |
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13 |
Presentation of selected dramatic works by the students and studying on the correction of mistakes. |
Correction and study of detected mistakes.. |
Special Support / Structural Examples |
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14 |
Presentation of selected dramatic works by the students and studying on the correction of mistakes. |
Correction and study of detected mistakes.
*Homework 1: summary of the book "Creating A Character" by Konstantin Stanislavski. |
Special Support / Structural Examples |
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15 |
Semester analysis and general revision. |
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16 |
Semester analysis and general revision. |
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17 |
Explanation of the concept of character and basic information about approaching to the character. |
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Special Support / Structural Examples |
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18 |
Explanation of the concept of character and basic information about approaching to the character. |
Research - Analysis |
Special Support / Structural Examples |
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19 |
Practical explanation of the concepts of "the form and content ´´ in the art of acting on the basis of the character to be worked on. |
Research - Analysis |
Special Support / Structural Examples |
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20 |
Practical communication of the concept of "the form and content" on the basis Work on character in the art of acting. |
Research - Analysis |
Special Support / Structural Examples |
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21 |
"Character, impact-assessment-response and tempo-rhythm," |
Research - Analysis |
Special Support / Structural Examples |
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22 |
"Character, impact-assessment-response and tempo-rhythm," |
Correction and study of detected mistakes. |
Special Support / Structural Examples |
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23 |
"Character, impact-assessment-response and tempo-rhythm," |
Correction and study of detected mistakes. |
Special Support / Structural Examples |
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24 |
Introduction to working on musical texts. Suitable duet examination and studying on them. |
Research - Analysis |
Special Support / Structural Examples |
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25 |
Working on musical texts. |
Correction and study of detected mistakes. |
Special Support / Structural Examples |
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26 |
Presentation of selected dramatic works by the students and studying on the correction of mistakes. |
Correction and study of detected mistakes. |
Special Support / Structural Examples |
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27 |
Presentation of selected dramatic works by the students and studying on the correction of mistakes. |
Correction and study of detected mistakes.. |
Special Support / Structural Examples |
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28 |
Presentation of selected dramatic works by the students and studying on the correction of mistakes. |
* Homework 2: an assertion file demonstrating the content and process of the studies the student has performed in one year. |
Special Support / Structural Examples |
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29 |
Rehearsals of exam schedule and flows. |
Correction and study of detected mistakes. |
Special Support / Structural Examples |
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30 |
Rehearsals of exam schedule and flows. |
Correction and study of detected mistakes. |
Special Support / Structural Examples |
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31 |
Final exam preparation and general rehearsals. Presentation of Homework 2* |
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32/33/34 |
Final. |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
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1 |
Gains the ability to review advanced knowledge and skills acquired in the field critically |
0 |
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2 |
As a performing artist, has a sense of ethics of art and professional disipline. |
5 |
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3 |
Gains the musical and technical ability to interpret national and international works of literature on the stage through Opera singing techniques and methods. |
4 |
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4 |
Gains the ability to use voice mechanism accurately and efficiently on the stage, to ensure breath coordination and to protect voice health. |
4 |
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5 |
Gains the ability to review universal values with the knowledge acquired in their field of study. |
4 |
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6 |
Gains the sensitivity of being an artist who is aware of the responsibilities towards his nation, himself and humanity. |
5 |
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7 |
Besides singing technique, controls his body successfully thanks to the abilities acquired through dance, stage and fencing disciplines. |
5 |
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8 |
Improves the practical ability of singing ability which is developed through acquiring technical knowledge together with the acting ability on the stage. |
5 |
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9 |
Gains the ability to provide all kinds of national and international singing literature documents, equipments, resources and archive related to his field. |
1 |
|
10 |
Gains the ability to individually maintain the process of practicing on works which he is responsible for. |
5 |
|
11 |
Constantly improves himself as a man of art, and follows the current activities related to his art closely. |
3 |
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12 |
Gains the ability to use his natural mechanism on the stage as an instrument by improving his coordination abilities and by recognizing and analyzing his own body, emotions, and thoughts. |
5 |
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13 |
As well as having a sense of social responsibility, owns communication and social skills requried by performing arts. |
5 |
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14 |
Gains the ability to transfer his knowledge on the art of opera singing to different audiences. |
2 |
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15 |
Has the ability of focusing on the scene, using his imagination and observation skills, the ability to have a reflex and to use the memory of the musical scene. |
5 |
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16 |
Develops the ability of creating a character on the stage, maintaining mastery of work, singing with a partner and feeling the partner. |
5 |
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17 |
As a man of art, tries to establish ties with other art fields by associating his knowledge and skills according to the rules of professional ethics. |
3 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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