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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
|
1 |
Description and Objectives of the course, Course Content and Discussion on Course Curriculum, presentations related to the participation to the course |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
2 |
What is art? What is aesthetic judgment? |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
3 |
What is art? What is aesthetic judgment? Discussions on these questions with examples |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
4 |
The links between the aesthetics and philosophical approaches and production of the artwork. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
5 |
Discussion with examples on the links between the aesthetics and philosophical approaches and production of the artwork. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
6 |
Introduction to the history of aesthetics. Conceptions of aesthetics in ancient times |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
7 |
Discussions with examples on the conceptions of aesthetics in ancient times. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
8 |
Plato´s and Aristotle´s ideas about art and aesthetics and their comparison. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
9 |
Discussion with examples on Plato´s and Aristotle´s ideas about art and aesthetics and their comparison. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
10 |
Determining the basics that form the ancient and medieval aesthetics. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
11 |
Discussions with examples on determination of the basics that form the ancient and medieval aesthetics |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
12 |
Comparison of ancient and medieval aesthetics |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
13 |
Comparison of ancient and medieval aesthetics |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
14 |
Mid-term exam |
|
evaluation |
|
15 |
Period analysis and general revision |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
16 |
Period analysis and general revision |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
17 |
Social History and Aesthetics. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
18 |
Discussions with examples on Social History and Aesthetics. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
19 |
Aesthetics of the Renaissance. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
20 |
Discussion on Renaissance aesthetics with examples. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
21 |
Comparison of Medieval and Renaissance aesthetics. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
22 |
Discussions with examples on the comparison of Medieval and Renaissance aesthetics. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
23 |
Aesthetics from Enlightenment to 21th century. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
24 |
Discussions with examples on Aesthetics from Enlightenment to 21th century. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
25 |
Modernism and Aesthetics. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
26 |
Discussion on Aesthetic and Modernism with examples. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
27 |
Mid-term exam |
|
evaluation |
|
28 |
Discussions with examples on periodic effects on transformation of the aesthetic understanding. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
29 |
Discussions with examples on periodic effects on transformation of the aesthetic understanding. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
30 |
Discussion on Aesthetic and Postmodernism with examples. |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
31 |
Final exam preparation |
Reading the Source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
32/33/34 |
Final exam |
|
evaluation |
|
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
|
1 |
Students gain the ability to fulfill the Piano Education Programme. |
2 |
|
2 |
Students perform the works of art in the Piano Education Programme in technical and musical terms. |
0 |
|
3 |
Students work theoretically, with their profesional knowledge, to get information about the national and international musical literature. |
2 |
|
4 |
Students improve their musical memory because of the necessity that the selected works in the exams and concerts should be played by heart. |
0 |
|
5 |
Students work practically, with their profesional knowledge, to get information about the national and international musical literature. |
3 |
|
6 |
Students perform the selected works in the Education Programme in technical and musical terms. |
0 |
|
7 |
Students can independently conduct an advanced study related to their own field. |
4 |
|
8 |
Students gain positive attitudes to learn and improve the piano education. |
3 |
|
9 |
Students can critically evaluate and perform the advanced knowledge and skills acquired in the field. |
0 |
|
10 |
Students gain awareness of being a national and international artist who is aware of the responsibility he should have. |
3 |
|
11 |
Students gain the conscious and habit of having art ethics and professional discipline. |
4 |
|
12 |
Students gain the ability to come together with their colleagues for musical synergy during the performance period. |
0 |
|
13 |
Students are able to accompany to the works they will play on stage with musical and technical methods with piano to the group or instrument on stage with musical techniques and methods. |
0 |
|
14 |
Students gain the ability to decipher the works technically and musically. |
0 |
|
15 |
In addition to professional development, students continue to improve themselves in scientific, social, cultural and athletic fields. |
4 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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