Course Description |
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Course Name |
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Basic Music Theroy |
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Course Code |
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YM ÜVÇ 210 |
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Course Type |
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Compulsory |
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Level of Course |
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First Cycle |
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Year of Study |
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2 |
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Course Semester |
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Fall and Spring (32 Weeks) |
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ECTS |
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4 |
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Name of Lecturer(s) |
: |
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Learning Outcomes of the Course |
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Understands and applies the rules of notation which is considered as the language of music. Acquires comprehensive knowledge about the tonal and modal structure of any kind of work related to his own field. Acquires comprehensive knowledge about recognizing the prosody and rhythmic structure of the work. Acquires comprehensive knowledge on chords which form the basis of polyphonic music. Acquires comprehensive information about the terminology related to musical interpretation and gains the ability to practice this information on the works. Acquires knowledge about the types of music. Acquires general information about the forms of music. Gains an habit of taking part in cultural gatherings (meetings), and art and cultural events except from music, reading books, and actively following art actions.
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Mode of Delivery |
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Face-to-Face |
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Prerequisites and Co-Prerequisites |
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None |
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Recommended Optional Programme Components |
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None |
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Aim(s) of Course |
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Professional lives of students are required to gain comprehensive information about the basic music theory, with practical ability to give this information. |
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Course Contents |
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December knowledge, knowledge of chord, chords, passwords, dimensions, tonality information, function, knowledge, modes, keys, chord analysis of foreign sounds |
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Language of Instruction |
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Turkish |
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Work Place |
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Classroom |
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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
Meeting students, introduction of the course content and the textbooks. |
Related unit in the textbook |
Lecture |
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2 |
Basic knowledge on music. |
Related unit in the textbook |
Lecture |
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3 |
A brief history of music and the development process of the music. |
Related unit in the textbook |
Lecture |
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4 |
spelling rules of signs |
Related unit in the textbook |
Lecture |
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5 |
Porte, additional lines, series and intervals. |
Related unit in the textbook |
Lecture |
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6 |
Intervals; Full-half pitch, Chromatic-Diatonic fret. |
Related unit in the textbook |
Lecture |
|
7 |
the main harmony, simple and dupicated ranges, melodic and harmonic intervals. |
Related unit in the textbook |
Lecture |
|
8 |
Cycles of intervals, spelling rules of intervals |
Related topics in the textbook |
Lecture |
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9 |
Cycles of intervals, spelling rules of interval |
Related unit in the textbook |
Lecture |
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10 |
Cycles of intervals, spelling rules of interval (tone) |
Related unit in the textbook |
Lecture |
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11 |
prosody and time: the time in twos threes. |
Related unit in the textbook |
Lecture |
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12 |
Simple and compound prosodies, prosody figures, the missing prosody, clunky prosodies and types. |
Related unit in the textbook |
Lecture |
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13 |
Syncope and varieties, counter- time. |
Related unit in the textbook |
Lecture |
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14 |
repetition lines and sign of return, and Da Capo, examples |
Related unit in the textbook |
Lecture |
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15 |
Action terms. |
Related unit in the textbook |
Lecture |
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16 |
General revision and making up the deficiencies. |
Related unit in the textbook |
Lecture |
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17 |
General revision and making up the deficiencies. |
Related unit in the textbook |
Lecture |
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18 |
Nuance markers. |
Related unit in the textbook |
Lecture |
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19 |
Lecture terms. |
Related topic in the textbook |
Lecture |
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20 |
Overtones. |
Related topic in the textbook |
Lecture |
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21 |
tritone chords, and their types and cycles |
Related topics in the textbook |
Lecture |
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22 |
chord setups on Major and minor range sounds. |
Related topics in the textbook |
Lecture |
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23 |
Ancient modes, mode, range, and the concept of tonality. |
Related topics in the textbook |
Lecture |
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24 |
ornament Notes |
Related topics in the textbook |
Lecture |
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25 |
Turkish music mode series (according to equal, regular keyboard) |
Related topics in the textbook |
Lecture |
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26 |
Four-voiced chords, their types and cycles. |
Related topics in the textbook |
Lecture |
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27 |
four-voiced chords establishment on voices of major and minor ranges. |
Related topic in the textbook |
Lecture |
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28 |
Overtones-tonality relationship. |
Related topics in the textbook |
Lecture |
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29 |
Human voices, types and volume limitations. |
Related unit in the textbook |
Lecture |
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30 |
spelling rules of notation |
Related topics in the textbook |
Lecture |
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31 |
General revision and making up the deficiencies. |
Related topics in the textbook |
Lecture |
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32/33/34 |
Final Examination |
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Evaluations |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
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1 |
Students gains the ability to fulfil the Wind-Percussion Instruments Education Program.
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3 |
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2 |
Students perform the works of art contained in the Wind-Percussion Instruments Education Program in technical and musical sense. |
4 |
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3 |
Students can do theoretical studies with their professional knowledge to get to get information about the national and international music literature. |
5 |
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4 |
Students can do practical studies with their professional knowledge to get to get information about the national and international music literature. |
5 |
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5 |
Students perform the selected Works in the education programme in technical and musical sense. |
3 |
|
6 |
Students are able to independently carry out an advanced study related to their own field. |
3 |
|
7 |
Students gain a positive attitude towards learning and improving the Wind-Percussion Instruments education |
4 |
|
8 |
Students evaluate and perform the advanced level of skills and knowledge acquired in their own field with a critical perspective. |
5 |
|
9 |
Students gain an awareness of being a national and international artist who knows the responsibility he should undertake. |
5 |
|
10 |
Students gain the habit and awareness of getting the art ethics and professional discipline |
5 |
|
11 |
Students gain the ability to have musical synergy working together with their colleagues during the performance period. |
4 |
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12 |
Students gain the ability to decipher the works of art in technical and musical sense. |
3 |
|
13 |
This programme helps students to perform the works of art that will be played on the stage with the group. |
3 |
|
14 |
In addition to Professional development, students improve themselves continually in scientific, social, cultural and sports fields for their personal development. |
0 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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