| Course Code | Course Name |
LO1 |
LO2 |
LO3 |
LO4 |
LO5 |
LO6 |
LO7 |
LO8 |
LO9 |
LO10 |
LO11 |
LO12 |
LO13 |
LO14 |
LO15 |
LO16 |
LO17 |
LO18 |
LO19 |
|
SAS 700 |
Thesis |
5 |
5 |
0 |
5 |
5 |
0 |
5 |
5 |
4 |
5 |
0 |
3 |
3 |
0 |
3 |
5 |
5 |
2 |
0 |
|
SAS 702 |
Scientific Expertise |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
5 |
3 |
5 |
5 |
5 |
5 |
0 |
3 |
3 |
5 |
0 |
0 |
|
SAS 704 |
Seminar |
5 |
3 |
0 |
5 |
0 |
3 |
0 |
5 |
4 |
5 |
5 |
0 |
3 |
0 |
2 |
3 |
5 |
0 |
0 |
|
SAS 705 |
Research Methods I |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
4 |
5 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
5 |
0 |
0 |
|
SAS 706 |
Research Methods II |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
4 |
5 |
0 |
0 |
0 |
3 |
0 |
0 |
3 |
5 |
0 |
0 |
|
SAS1 700 |
Scientific Expertise |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
3 |
5 |
5 |
5 |
5 |
0 |
3 |
3 |
5 |
0 |
0 |
|
SOP 701 |
Singing and Vocal Training I |
3 |
3 |
5 |
4 |
5 |
3 |
4 |
2 |
4 |
2 |
5 |
2 |
3 |
5 |
3 |
3 |
3 |
5 |
4 |
|
SOP 702 |
Singing and Vocal Training II |
3 |
3 |
5 |
4 |
5 |
3 |
4 |
2 |
4 |
2 |
5 |
2 |
3 |
5 |
3 |
3 |
3 |
5 |
4 |
|
SOP 703 |
Accompaniment and Repertoire I |
1 |
0 |
3 |
2 |
0 |
3 |
0 |
2 |
0 |
0 |
0 |
5 |
0 |
4 |
0 |
0 |
5 |
0 |
4 |
|
SOP 704 |
Accompaniment and Repertoire II |
0 |
0 |
4 |
2 |
0 |
2 |
0 |
0 |
0 |
0 |
3 |
5 |
0 |
0 |
0 |
3 |
4 |
0 |
4 |
|
SOP 705 |
Lied and Oratorio I |
4 |
0 |
3 |
2 |
2 |
0 |
0 |
3 |
0 |
0 |
3 |
5 |
0 |
5 |
0 |
0 |
0 |
0 |
5 |
|
SOP 706 |
Lied and Oratorio II |
4 |
0 |
0 |
5 |
2 |
0 |
2 |
3 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
|
SOP 709 |
Voice Health and Physiology |
0 |
3 |
5 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
5 |
|
SOP 713 |
History of Turkish Opera I |
5 |
0 |
0 |
5 |
0 |
0 |
0 |
3 |
4 |
4 |
0 |
0 |
3 |
0 |
3 |
0 |
0 |
0 |
0 |
|
SOP 714 |
History of Turkish Opera II |
5 |
0 |
0 |
4 |
5 |
0 |
0 |
3 |
4 |
4 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
|
STY 703 |
Regie Practices I |
3 |
0 |
0 |
5 |
5 |
5 |
5 |
5 |
5 |
3 |
5 |
5 |
4 |
0 |
5 |
5 |
5 |
5 |
0 |
|
STY 704 |
Regie Practices II |
3 |
0 |
0 |
5 |
5 |
5 |
3 |
3 |
4 |
3 |
5 |
5 |
3 |
0 |
5 |
5 |
5 |
5 |
0 |
|
STY 705 |
Relationship between Psychology and Art and Creativity |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
5 |
5 |
0 |
0 |
3 |
3 |
0 |
2 |
0 |
3 |
0 |
0 |
|
STY 707 |
Village Theatrical Plays and Rituals I |
5 |
0 |
0 |
0 |
5 |
0 |
0 |
4 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
|
STY 708 |
Village Theatrical Plays and Rituals II |
5 |
0 |
0 |
0 |
5 |
0 |
0 |
4 |
4 |
0 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
|
STY 711 |
Contemporary Art Deliberation I |
3 |
0 |
0 |
5 |
3 |
0 |
3 |
5 |
5 |
4 |
0 |
3 |
5 |
0 |
0 |
0 |
4 |
0 |
0 |
|
STY 712 |
Contemporary Art Deliberation II |
3 |
0 |
0 |
5 |
3 |
0 |
3 |
5 |
5 |
4 |
0 |
3 |
0 |
0 |
0 |
5 |
4 |
0 |
0 |
|
STY 717 |
Acting Methods I |
5 |
5 |
0 |
5 |
4 |
5 |
5 |
3 |
4 |
2 |
4 |
5 |
4 |
0 |
4 |
5 |
4 |
5 |
5 |
|
STY 718 |
Acting Methods II |
3 |
5 |
0 |
5 |
4 |
5 |
5 |
3 |
4 |
2 |
4 |
4 |
4 |
0 |
4 |
5 |
4 |
5 |
5 |
|
STY 719 |
History of Musical Theatre |
5 |
0 |
0 |
0 |
5 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
0 |
|
STY 721 |
Vocal Training |
0 |
0 |
5 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
5 |
0 |
0 |
0 |
0 |
4 |
|
STY 723 |
Art-Object Relations and Practices I |
0 |
0 |
0 |
0 |
5 |
5 |
0 |
4 |
0 |
3 |
0 |
0 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
|
STY 724 |
Art-Object Relations and Practices II |
0 |
0 |
0 |
0 |
5 |
5 |
4 |
0 |
3 |
0 |
0 |
3 |
3 |
0 |
0 |
0 |
3 |
0 |
0 |
| * Relation levels are between 0 (minimum) and 5 (maximum). |