Course Description |
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Course Name |
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Harmony |
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Course Code |
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YM YÇ 205 |
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Course Type |
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Optional |
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Level of Course |
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First Cycle |
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Year of Study |
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2 |
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Course Semester |
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Fall (16 Weeks) |
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ECTS |
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4 |
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Name of Lecturer(s) |
: |
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Learning Outcomes of the Course |
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Acquired a competent knowledge of harmony is capable of feeling. About the music style and will have a thorough knowledge of forms of polyphony. Works in harmony with the historical development of the music will have a thorough knowledge of the repertoire. Superior skills in musical works will have to decipher. Listened works will have the knowledge and skills to cast notation. His work in the relevant field will have the ability to voice with piano. Works will have the ability to convert polyphonic format. Will have the ability to create an original musical works.
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Mode of Delivery |
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Face-to-Face |
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Prerequisites and Co-Prerequisites |
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None |
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Recommended Optional Programme Components |
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None |
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Aim(s) of Course |
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To provide information about
- harmonic stylistic features on the of the historical stages of polyphony,
- harmonic breakthroughs in the development of language,
- common and distinctive features in composers´ usage of harmony,
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Course Contents |
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And they began the translation of the basic three-to-five akorlarından all seven chords, modulation and alteration of any kind until the implementation of the tonal-functional harmony and chord sounds out of the system and is aimed to teach the technique. Students using this technique, a four-party and four-party singing armonizasyonları encrypted through press work, refined tries to reach a level of feeling. |
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Language of Instruction |
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Turkish |
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Work Place |
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Classroom |
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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
A brief review of the information learned in the previous year. |
Related topics in the textbook |
Lectures |
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2 |
Cadences. |
Related topics in the textbook |
Lectures |
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3 |
Sixth degree chord. |
Related topics in the textbook |
Lectures |
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4 |
Press the harmonizing chord is encrypted with the sixth grade. |
Related topics in the textbook |
Lectures |
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5 |
Press the harmonized chord edilmesi.Cadanses encrypted with the sixth grade. |
Related topics in the textbook |
Lectures |
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6 |
Harmonizing chord melody is encrypted with the sixth grade. |
Related topics in the textbook |
Lectures |
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7 |
Harmonizing chord melody encrypted with the sixth grade. Cadanses. |
Related topics in the textbook |
Lectures |
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8 |
Case studies related to the information learned. |
Related topics in the textbook |
Lectures |
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9 |
Comparison of different eras. Bach, Mozart, Beethowen. |
Related topics in the textbook |
Lectures |
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10 |
Third-degree chord. |
Related topics in the textbook |
Lectures |
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11 |
Press the harmonizing chord is encrypted with the third degree. |
Related topics in the textbook |
Lectures |
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12 |
Press the harmonizing chord is encrypted with the third degree. |
Related topics in the textbook |
Lectures |
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13 |
Cadences. |
Related topics in the textbook |
Lectures |
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14 |
Press the harmonizing chord is encrypted with third-degree studies on creativity. |
Related topics in the textbook |
Lectures |
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15 |
Cadences. |
Related topics in the textbook |
Lectures |
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16/17 |
Final Examination |
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Evaluation |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
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1 |
Have the ability to fulfill the requirements of the String Training Programme. |
2 |
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2 |
Have the ability to perform technical and musical works included in the training program. |
4 |
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3 |
Improve his/her musical knowledge by performing concerts. |
2 |
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4 |
Do research to acquire information on national and international music literature. |
2 |
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5 |
Have the ability to use his/her professional knowledge in order to do research in national and international literature. |
3 |
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6 |
Have the ability to perform the required works technically. |
3 |
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7 |
Have the ability to conduct advanced studies in the field. |
4 |
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8 |
Have the ability to develop a positive attitude towards the String Training Programme. |
4 |
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9 |
Have the ability to asses and use the advanced knowledge and skills acquired in the field. |
4 |
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10 |
Have the responsibility of being a national and international an artist. |
4 |
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11 |
Gain a professional discipline and ethics of art. |
2 |
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12 |
Have the ability of working collobaratively with his/her colleagues. |
5 |
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13 |
Use at least one foreign language and follow the recent developments in the field. |
4 |
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14 |
Have the ability to be able to perform the required works on international platforms. |
4 |
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15 |
Have the ability to perform the works solo or in a group on the stage. |
0 |
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16 |
Have the ability to improve himself/herself in social,cultural and sport areas in addition to his/her professional development. |
0 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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