Course Description |
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Course Name |
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Drawing 6 |
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Course Code |
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SRS407 |
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Course Type |
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Optional |
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Level of Course |
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First Cycle |
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Year of Study |
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4 |
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Course Semester |
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Fall (16 Weeks) |
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ECTS |
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3 |
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Name of Lecturer(s) |
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Asst.Prof. BAHAR ARI DELLENBACH |
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Learning Outcomes of the Course |
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Improves hand-mind coordination and draws a three-dimensional object on a two-dimensional surface.
Improves his/her knowledge on ratio-proportion, composition and perspective through drawing practices from live models and objects; and uses this knowledge on his/her own works.
Acquires competency in applying advanced drawing techniques.
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Mode of Delivery |
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Face-to-Face |
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Prerequisites and Co-Prerequisites |
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None |
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Recommended Optional Programme Components |
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None |
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Aim(s) of Course |
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This course aims to give students opportunities to use the knowledge of composition, perspective, ratio, and proportion in drawing from live models. It also aims to develop students´ artistic creativity.
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Course Contents |
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Practicing pencil sketching from a live model and drawing still-life. |
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Language of Instruction |
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Turkish |
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Work Place |
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Drawing studios. |
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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
Pencil sketching studies from a live model from different poses.
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Sketch works completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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2 |
Pencil sketching studies from a live model from different poses.
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Sketch works completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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3 |
Pencil sketching from an antique bust from different angles. |
Sketch works completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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4 |
Pencil sketching from an antique bust from different angles. |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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5 |
Pencil sketching from an antique torso from different angles. |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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6 |
Pencil sketching from an antique torso from different angles. |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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7 |
Sketching from a model.
Personal interpretation practices; Surface evaluation / Project |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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8 |
MİDTERM EXAM. |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer |
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9 |
20-minute sketch drawing from a live model. |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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10 |
20-minute sketch drawing from a live model. |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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11 |
Still-life sketching. |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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12 |
Still-life sketching. |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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13 |
Still-life sketching from various objects. |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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14 |
Still-life sketching from various objects. |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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15 |
Still-life sketching from various objects.Personal interpretation practices; Surface evaluation / Project |
Sketch works from an object completed in a short time. |
Theorical and Practice.
Visual presentations.
Question & Answer
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16/17 |
FINAL EXAM. |
Sketch works from an object completed in a short time. |
File Presentation |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
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1 |
Perceives multi-dimensionally, objectifies sensory perception |
5 |
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2 |
Is competent at thinking critically and developing creative and original ideas |
4 |
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3 |
Is responsible and has a sense of social, scientific, artistic, professional, ethical awareness |
4 |
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4 |
Reaches, manages and constructs information |
4 |
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5 |
His dexterity and eye coordination are improved |
5 |
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6 |
Uses time efficiently and effectively |
4 |
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7 |
Is competent at art theory, aesthetics and philosophy of art |
3 |
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8 |
Transforms the concepts into original art works |
5 |
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9 |
Uses the informatics and communication technologies at least in the level required by the European Computer Driving License |
0 |
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10 |
Defines and reviews problems correctly, finds creative, original, aesthetic, artistic and technical solutions to problems |
5 |
|
11 |
Uses theoretical and practical information efficiently in his profession and topic |
5 |
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12 |
Has the ability to work individually and in groups effectively and takes responsibility |
4 |
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13 |
Works harmoniously with other disciplines, which he/she needs in his/her profession and projects |
4 |
|
14 |
Follows the social and universal changes and effects about art and design |
5 |
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15 |
Has the ability to follow developments and improves him/herself constantly through lifelong learning |
4 |
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16 |
Has the knowledge, skills and experience about how to use different materials, production methods and techniques |
5 |
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17 |
Has the ability and self confidence for oral, written and visual communication |
5 |
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18 |
Knows a foreign language at least in Level B1 of the European Common Framework in order to follow the developments about his profession |
0 |
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19 |
Evaluates the producibility of his/her projects technically and technologically |
5 |
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20 |
Constantly improves him/herself by determining his/her training needs in accordance with his/her interests and abilities in the scientific, cultural, artistic and social fields in addition to his/her professional development |
5 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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