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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
|
1 |
Introduction of ceramic decorations.
Underglaze decoration techniques.
Definition of tile and its history. |
Bibliography: 1, p:34-38
Examination of the sample images. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
2 |
Determining design topics.
Examination of the traditional tile samples.
Surface and form relationship
Surface-shape, form-background relationship; definitions of form and background
Under glaze decoration techniques. |
Personal interpretation practices; Surface evaluation
http://ceramicartsdaily.org/ceramics-monthly/?floater=99 |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
3 |
Design.
Studies about reshaping of the surface. |
Personal interpretation practices; Surface evaluation |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
4 |
Tile motifs, using the surface arrangement.
Discussing projects.
Technical phases of ceramic material |
Personal interpretation practices; Surface evaluation |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
5 |
Research, sketch, criticism
Tile production rules.
Practicing patterns. |
Personal interpretation practices; Surface evaluation
Examination of the sample images. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
6 |
Forming with ceramic material.
Coloring and glazing.
|
Examination of the sample images. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
7 |
Application studies.
Kiln firing. |
Examination of the sample images. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
8 |
MIDTERM EXAM. |
Examination of the sample images. |
Theorical and Practice.
Visual presentations.
Question & Answer |
|
9 |
Slip decoration techniques.
Determining of designs topic. |
Examination of the sample images, Bibliography 1, p.108-114 |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
10 |
Inglaze (Majolica) decoration techniques
Design.
Relationship between surface and form. |
Examination of the sample images.
http://ceramicartsdaily.org/ceramics-monthly/?floater=99 |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
11 |
Onglaze decoration techniques.
Design.
Relationship between the surface and form.
Stamp, paraffin decorations.
|
Examination of the sample images.
Bibliography 1, p.108-114 |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
12 |
Slip decoration. Sgrafitto decoration techniques.
Design.
Relationship between surface and form. |
Examination of the sample images.
Bibliography 1, p.85-94 |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
13 |
Slip decoration. Sgrafitto decoration techniques.
Decoration methods on wet-clay and desings (Cont.)
Evaluation of designs.
|
Examination of the sample images. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
14 |
Slip decoration. Sgrafitto decoration techniques.
Evaluation of designs. |
Examination of the sample images.
Bibliography 1, p.85-94 |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
15 |
Slip decoration. Sgrafitto decoration techniques.
Evaluation of designs
Project: Creating new art works using one of the decoration techniques.
Kiln firing. |
Examination of the sample images.
Bibliography 1, p.85-94 |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
16/17 |
FINAL EXAM |
Examination of the sample images.
Bibliography 1, p.85-94 |
Theorical and Practice.
Visual presentations.
Question & Answer |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
|
1 |
Perceives multi-dimensionally, objectifies sensory perception |
5 |
|
2 |
Is competent at thinking critically and developing creative and original ideas |
5 |
|
3 |
Is responsible and has a sense of social, scientific, artistic, professional, ethical awareness |
3 |
|
4 |
Reaches, manages and constructs information |
3 |
|
5 |
His dexterity and eye coordination are improved |
5 |
|
6 |
Uses time efficiently and effectively |
5 |
|
7 |
Is competent at art theory, aesthetics and philosophy of art |
1 |
|
8 |
Transforms the concepts into original art works |
5 |
|
9 |
Uses the informatics and communication technologies at least in the level required by the European Computer Driving License |
3 |
|
10 |
Defines and reviews problems correctly, finds creative, original, aesthetic, artistic and technical solutions to problems |
5 |
|
11 |
Uses theoretical and practical information efficiently in his profession and topic |
3 |
|
12 |
Has the ability to work individually and in groups effectively and takes responsibility |
5 |
|
13 |
Works harmoniously with other disciplines, which he/she needs in his/her profession and projects |
1 |
|
14 |
Follows the social and universal changes and effects about art and design |
3 |
|
15 |
Has the ability to follow developments and improves him/herself constantly through lifelong learning |
3 |
|
16 |
Has the knowledge, skills and experience about how to use different materials, production methods and techniques |
1 |
|
17 |
Has the ability and self confidence for oral, written and visual communication |
5 |
|
18 |
Knows a foreign language at least in Level B1 of the European Common Framework in order to follow the developments about his profession |
1 |
|
19 |
Evaluates the producibility of his/her projects technically and technologically |
5 |
|
20 |
Constantly improves him/herself by determining his/her training needs in accordance with his/her interests and abilities in the scientific, cultural, artistic and social fields in addition to his/her professional development |
0 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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