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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
The concepts of ratio, measurement and plan, covering relations of plan in geometric volumes and sketch drawings using nude models. |
Examination of the sample images. Drawing tools and materials. Sketch works from nude models and objects. |
Theorical and Practice.
Visual presentations.
Question & Answer
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2 |
Ratio and proportion. Principles of measurement of nude and still-life drawings.
Drawing studies from a live model.
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http://en.wikipedia.org/wiki/Caravaggio |
Theorical and Practice.
Visual presentations.
Question & Answer
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|
3 |
Ratio, Proportion,drawing studies using basic geometric construction materials. |
Examination of the sample images. Drawing tools and materials. Sketch works from nude models and objects. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
4 |
The concepts of measurement and plan, covering relations of plan with geometric volumes and sketch drawings from a nude model. |
Examination of the sample images. Drawing tools and materials. Sketch works from nude models and objects. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
5 |
Ratio, Proportion,drawing studies using basic geometric construction materials. |
Examination of the sample images. Drawing tools and materials. Sketch works from nude and object. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
6 |
Sketch works from nude models and objects. |
Examination of the sample images. Drawing tools and materials. Sketch works from nude models and objects. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
7 |
Sketch works from nude models and objects.
Surface evaluation / Project |
http://www.rembrandtpainting.net/famous_works.html |
Theorical and Practice.
Visual presentations.
Question & Answer
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8 |
MİDTERM. |
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9 |
Drawing studies with live model. |
http://www.albrecht-durer.org/
Examination of the sample images. Drawing tools and materials. Sketch works from nude models and objects. |
Theorical and Practice.
Visual presentations.
Question & Answer
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10 |
Anatomy Drawing. Focusing on details in observation, hand- foot sketches. |
http://www.edgar-degas.org/
Examination of the sample images. Drawing tools and materials. Sketch works from nude models and objects. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
11 |
Principles of measurement in drawing of nude models and still-life.
Drawing studies from live models.
|
http://www.vangoghmuseum.nl/vgm/index.jsp?page=621&lang=en |
Theorical and Practice.
Visual presentations.
Question & Answer
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12 |
Sketch works from nude models and objects. |
http://www.artcyclopedia.com/artists/renoir_pierre-auguste.html , http://www.paul-cezanne.org/ |
Theorical and Practice.
Visual presentations.
Question & Answer
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13 |
Drawing studies from natural and artificial objects. |
Examination of the sample images. Drawing tools and materials. Sketch works from nude models and objects. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
|
14 |
Principles of measurement in drawing of nude models and still-life. Drawing of hand.
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Examination of the sample images. Drawing tools and materials. Sketch works from nude models and objects. |
Theorical and Practice.
Visual presentations.
Question & Answer
|
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15 |
Possibilities of different materials at drawing studies ,Drawing with charcoal. |
Examination of the sample images. Drawing tools and materials. Sketch works from nude models and objects. |
Theorical and Practice.
Visual presentations.
Question & Answer
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16/17 |
FİNAL EXAM/Projects and evaluation of applications. |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
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1 |
Perceives multi-dimensionally, objectifies sensory perception |
5 |
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2 |
Is competent at thinking critically and developing creative and original ideas |
4 |
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3 |
Is responsible and has a sense of social, scientific, artistic, professional, ethical awareness |
4 |
|
4 |
Reaches, manages and constructs information |
3 |
|
5 |
His dexterity and eye coordination are improved |
5 |
|
6 |
Uses time efficiently and effectively |
4 |
|
7 |
Is competent at art theory, aesthetics and philosophy of art |
3 |
|
8 |
Transforms the concepts into original art works |
5 |
|
9 |
Uses the informatics and communication technologies at least in the level required by the European Computer Driving License |
0 |
|
10 |
Defines and reviews problems correctly, finds creative, original, aesthetic, artistic and technical solutions to problems |
5 |
|
11 |
Uses theoretical and practical information efficiently in his profession and topic |
5 |
|
12 |
Has the ability to work individually and in groups effectively and takes responsibility |
4 |
|
13 |
Works harmoniously with other disciplines, which he/she needs in his/her profession and projects |
4 |
|
14 |
Follows the social and universal changes and effects about art and design |
4 |
|
15 |
Has the ability to follow developments and improves him/herself constantly through lifelong learning |
4 |
|
16 |
Has the knowledge, skills and experience about how to use different materials, production methods and techniques |
5 |
|
17 |
Has the ability and self confidence for oral, written and visual communication |
5 |
|
18 |
Knows a foreign language at least in Level B1 of the European Common Framework in order to follow the developments about his profession |
0 |
|
19 |
Evaluates the producibility of his/her projects technically and technologically |
2 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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