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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
|
1 |
Introduce the psychology of learning and its development. |
Textbook |
interaction question & Answer |
|
2 |
The nature of the development |
Yeşilyprak ss.31,49 |
interaction question & Answer |
|
3 |
Physical and psychomotor development |
Yeşilyaprak,ss.56,75 |
interaction question & Answer |
|
4 |
midterm exam |
|
Assignment and presentation |
|
5 |
cognitive development |
Yeşilyaprak,ss.82 ,96 |
interaction question & Answer |
|
6 |
Language development |
Yeşilyaprak,ss.100,115 |
interaction question & Answer |
|
7 |
personality development |
Yeşilyaprak,ss.120,122 |
interaction question & Answer |
|
8 |
Freud´s theoretical perspectives on personality development |
yeşilyaprak,ss.121 |
interaction question & Answer |
|
9 |
Freud´s theory of personality topographic |
Yeşilyaprak,ss.122 |
interaction question & Answer |
|
10 |
Freud´s structural theory of personality |
Yeşilyaprak,ss.123 |
interaction question & Answer |
|
11 |
Psychosexual Development Theory |
Yeşilyaprak,ss.124 |
interaction question & Answer |
|
12 |
Erikson´s Theory of Psychosocial Development |
Yeşilyaprak,ss.127 |
interaction question & Answer |
|
13 |
Psychosocial Development Stages |
Yeşilyaprak,ss.128 |
interaction question & Answer |
|
14 |
Moral Development |
Yeşilyaprak,ss.128,135 |
interaction question & Answer |
|
15 |
Piaget´s Theory of Moral Development |
Yeşilyaprak,ss.136 |
interaction question & Answer |
|
16 |
Kohlberg´s Moral Development Theory |
Yeşilyaprak,ss.136,139 |
interaction question & Answer |
|
17 |
The Nature of learning |
Yeşilyaprak,ss.154 |
interaction question & Answer |
|
18 |
Learning the basic concepts of nature |
Yeşilyaprak,ss.155 |
interaction question & Answer |
|
19 |
Biological basis of learning |
Yeşilyaprak,ss.159 |
interaction question & Answer |
|
20 |
Factors that affect learning |
Yeşilyaprak,ss.165 |
interaction question & Answer |
|
21 |
Behavioral Approaches to Learning |
Senemoğlu,ss.85 |
interaction question & Answer |
|
22 |
Behavioral Theories of Learning |
Yeşilyaprak,ss.182 |
interaction question & Answer |
|
23 |
classical conditioning |
Senemoğlu,ss.95 |
interaction question & Answer |
|
24 |
operant conditioning |
Yeşilyaprak,ss.192 |
interaction question & Answer |
|
25 |
Behavioral approaches to the implementation of the classroom environment |
Yeşilyaprak,ss.202 |
interaction question & Answer |
|
26 |
Social Learning Theory |
Yeşilyaprak,ss.218 |
interaction question & Answer |
|
27 |
Implementation of the Social Learning Theory in the classroom |
Yeşilyaprak,ss.236 |
interaction question & Answer |
|
28 |
Gestalt and Humanistic Approach of learning |
Kaya ss.439-462 |
interaction question & Answer |
|
29 |
Humanistic Approach Gestalt approach to learning and classroom implementation |
Kaya ss.457 |
interaction question & Answer |
|
30 |
Information processing model |
Kaya ss.463-493 |
interaction question & Answer |
|
31 |
The implementation of the information processing model in the classroom |
Kaya ss.483 |
interaction question & Answer |
|
32/33/34 |
Final Exam |
|
evaluation |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
|
1 |
Have the ability to fulfill the requirements of the String Training Programme. |
3 |
|
2 |
Have the ability to perform technical and musical works included in the training program. |
0 |
|
3 |
Improve his/her musical knowledge by performing concerts. |
0 |
|
4 |
Do research to acquire information on national and international music literature. |
4 |
|
5 |
Have the ability to use his/her professional knowledge in order to do research in national and international literature. |
0 |
|
6 |
Have the ability to perform the required works technically. |
0 |
|
7 |
Have the ability to conduct advanced studies in the field. |
4 |
|
8 |
Have the ability to develop a positive attitude towards the String Training Programme. |
0 |
|
9 |
Have the ability to asses and use the advanced knowledge and skills acquired in the field. |
4 |
|
10 |
Have the responsibility of being a national and international an artist. |
4 |
|
11 |
Gain a professional discipline and ethics of art. |
4 |
|
12 |
Have the ability of working collobaratively with his/her colleagues. |
0 |
|
13 |
Use at least one foreign language and follow the recent developments in the field. |
0 |
|
14 |
Have the ability to be able to perform the required works on international platforms. |
0 |
|
15 |
Have the ability to perform the works solo or in a group on the stage. |
0 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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