Course Description |
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Course Name |
: |
Chamber Music |
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Course Code |
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M YÇ 403 |
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Course Type |
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Compulsory |
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Level of Course |
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First Cycle |
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Year of Study |
: |
4 |
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Course Semester |
: |
Fall and Spring (32 Weeks) |
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ECTS |
: |
7 |
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Name of Lecturer(s) |
: |
Asst.Prof.Dr. CELİL HAKAN ÇUHADAR Instructor SİBEL AKYÜREK Instructor SERDAR BÜYÜKEDES |
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Learning Outcomes of the Course |
: |
Have the ability to fulfill Chamber Music Education Program. Perform selected works technically and musically in Education Program. Have an awareness of art ethics and professional discipline. Do practical research to learn national and international music literature. Do theoratical research to learn national and international music literature Perform solo on the stage Have the ability to come together with colleagues on the stage. Have the ability to decipher the technical and musical works.
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Mode of Delivery |
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Face-to-Face |
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Prerequisites and Co-Prerequisites |
: |
None |
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Recommended Optional Programme Components |
: |
None |
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Aim(s) of Course |
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Examine the works of chamber music; teach how to play together; provide information about the development of chamber music repertoire through the ages and interpret the works of art in the 20th century |
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Course Contents |
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Examine the works of chamber music at different periods, evaluate the characteristics of the selected works and the repertoire training. |
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Language of Instruction |
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Turkish |
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Work Place |
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Chamber music classrooms |
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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
Overall assessment of the work in the form of the sonata |
Indıvıdual study |
Special Support |
|
2 |
Study of putting the bow and finger number |
Indıvıdual study |
Special Support-Representation |
|
3 |
Listening to the first part of the sonata |
Indıvıdual study |
Group study |
|
4 |
Listening to the first part of the sonata |
Indıvıdual study |
Group study |
|
5 |
Listening to the first part of the sonata |
Indıvıdual study |
Group study |
|
6 |
Listening to the first part of the sonata |
Indıvıdual study |
Group study |
|
7 |
Listening to the second part of the sonata |
Indıvıdual study |
Special Support-Representation |
|
8 |
Listening to the second part of the sonata |
Indıvıdual study |
Group study |
|
9 |
Listening to the second part of the sonata |
Indıvıdual study |
Group study |
|
10 |
Listening to the second part of the sonata |
Indıvıdual study |
Group study |
|
11 |
Listening to the first and second parts of the sonata |
Indıvıdual study,homework |
Group study |
|
12 |
Listening to the first and second parts of the sonata |
Indıvıdual study |
Group study |
|
13 |
Listening to the first and second parts of the sonata |
Indıvıdual study |
Group study |
|
14 |
Listening to the first and second parts of the sonata |
Indıvıdual study |
Group study |
|
15 |
Listening to the first and second parts of the sonata |
Indıvıdual study |
Group study |
|
16 |
Listening to the first and second parts of the sonata |
Indıvıdual study |
Group study |
|
17 |
Listening to the third part of the sonata |
Indıvıdual study |
Special Support-Representation |
|
18 |
Listening to the third part of the sonata |
Indıvıdual study |
Group study |
|
19 |
Listening to the third part of the sonata |
Indıvıdual study |
Group study |
|
20 |
Listening to the third part of the sonata |
Indıvıdual study |
Group study |
|
21 |
Listening to the fourth part of the sonata |
Indıvıdual study |
Special Support-Representation |
|
22 |
Listening to the fourth part of the sonata |
Indıvıdual study |
Group study |
|
23 |
Listening to the fourth part of the sonata |
Indıvıdual study |
Group study |
|
24 |
Listening to the fourth part of the sonata |
Indıvıdual study |
Group study |
|
25 |
Listening to the third and fourth part of the sonata |
Indıvıdual study |
Group study |
|
26 |
Listening to the third and fourth part of the sonata |
Indıvıdual study |
Group study |
|
27 |
Listening to the third and fourth part of the sonata |
Indıvıdual study |
Group study |
|
28 |
Listening to the whole sonata |
Indıvıdual study,homework |
Group study |
|
29 |
Listening to the whole sonata |
Indıvıdual study |
Group study |
|
30 |
Listening to the whole sonata |
Indıvıdual study |
Group study |
|
31 |
Listening to the whole sonata |
Indıvıdual study |
Group study |
|
32/33/34 |
Final Exam |
Group study |
Evaluation |
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Required Course Resources |
| Resource Type | Resource Name |
| Recommended Course Material(s) |
W. A. MOZART, L. van BEETHOVEN, J. BRAHMS, C. A. DEBUSSY, G. FAURE, C. FRANCK, Sir E. GRIEG, R. SCHUMANN, F. SCHUBERT, P. HİNDEMİTH, D. SCHOSTAKOVİCH, A. HONEGGER, F. MENDELSSOHN, S. PROKOFİEV, S. RAHCMANİNOV, M. RAVEL, K. HORKY, W. de FESCH, H.P LİNDE, J.M. SPERGER, D. MİLHAUD, B. BRITTEN ´s Sonatas
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| Required Course Material(s) | |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
|
1 |
Have the ability to fulfill the requirements of the String Training Programme. |
5 |
|
2 |
Have the ability to perform technical and musical works included in the training program. |
4 |
|
3 |
Improve his/her musical knowledge by performing concerts. |
4 |
|
4 |
Do research to acquire information on national and international music literature. |
0 |
|
5 |
Have the ability to use his/her professional knowledge in order to do research in national and international literature. |
0 |
|
6 |
Have the ability to perform the required works technically. |
4 |
|
7 |
Have the ability to conduct advanced studies in the field. |
2 |
|
8 |
Have the ability to develop a positive attitude towards the String Training Programme. |
3 |
|
9 |
Have the ability to asses and use the advanced knowledge and skills acquired in the field. |
2 |
|
10 |
Have the responsibility of being a national and international an artist. |
3 |
|
11 |
Gain a professional discipline and ethics of art. |
4 |
|
12 |
Have the ability of working collobaratively with his/her colleagues. |
2 |
|
13 |
Use at least one foreign language and follow the recent developments in the field. |
0 |
|
14 |
Have the ability to be able to perform the required works on international platforms. |
5 |
|
15 |
Have the ability to perform the works solo or in a group on the stage. |
5 |
|
16 |
Have the ability to improve himself/herself in social,cultural and sport areas in addition to his/her professional development. |
0 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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