|
Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
|
1 |
Determining the level of the students |
Pre-study |
Special Support / Structural Examples |
|
2 |
making up the Deficiencies |
Pre-study |
Special Support / Structural Examples |
|
3 |
determining groups |
Pre-study |
Special Support / Structural Examples |
|
4 |
intonation studies of the groups together |
Pre-study |
Special Support / Structural Examples |
|
5 |
study on Chords and long sound |
Pre-study |
Special Support / Structural Examples |
|
6 |
assigning works to the determined groups |
Pre-study |
Special Support / Structural Examples |
|
7 |
Listening to quintet group |
Pre-study |
Special Support / Structural Examples |
|
8 |
Listening to quartet group |
Pre-study |
Special Support / Structural Examples |
|
9 |
Listening to trio group |
Pre-study |
Special Support / Structural Examples |
|
10 |
Listening to duet group |
Pre-study |
Special Support / Structural Examples |
|
11 |
Listening quintet group and technical and musical studies |
Pre-study |
Special Support / Structural Examples |
|
12 |
Listening to quartet group and technical and musical studies |
Pre-study |
Special Support / Structural Examples |
|
13 |
Listening to triogroup and to technical and musical studies |
Pre-study |
Special Support / Structural Examples |
|
14 |
Listening to duo group and to technical and musical studies |
Pre-study |
Special Support / Structural Examples |
|
15 |
Listening to all the groups |
Pre-study |
Special Support / Structural Examples |
|
16 |
overall assessment of the semester |
Pre-study |
Special Support / Structural Examples |
|
17 |
assigning new works |
Pre-study |
Homework |
|
18 |
intonation studies of the groups together |
Pre-study |
Special Support / Structural Examples |
|
19 |
study on Chords and long sound |
Pre-study |
Special Support / Structural Examples |
|
20 |
Listening to quintet group |
Pre-study |
Special Support / Structural Examples |
|
21 |
Listening to quartet group |
Pre-study |
Special Support / Structural Examples |
|
22 |
Listening to trio group |
Pre-study |
Special Support / Structural Examples |
|
23 |
Listening to duo group |
Pre-study |
Special Support / Structural Examples |
|
24 |
Listening to quintet group and to technical and musical studies |
Pre-study |
Special Support / Structural Examples |
|
25 |
Listening to quartet group and to technical and musical studies |
Pre-study |
Special Support / Structural Examples |
|
26 |
Listening to triogroup and to technical and musical studies |
Pre-study |
Special Support / Structural Examples |
|
27 |
Listening to duet group and to technical and musical studies |
Pre-study |
Special Support / Structural Examples |
|
28 |
Listening to all the groups |
Pre-study |
Special Support / Structural Examples |
|
29 |
Listening to all the groups |
Pre-study |
Special Support / Structural Examples |
|
30 |
Listening to all the groups |
Pre-study |
Special Support / Structural Examples |
|
31 |
Final exam preparation |
Pre-study |
Special Support / Structural Examples |
|
32/33/34 |
Final exam |
|
Evaluation |
|
|
|
Required Course Resources |
| Resource Type | Resource Name |
| Recommended Course Material(s) |
D.AGAY - Five Easy Dances, J.S.BACH - Air and Gigue, J.I.BRICKMAN - Suıte for Woodwind Quintet, E.GRANADOS - A la Cubana, T.ARNE - Suıte of Dances, F.DANZİ - Quintett Op.68 No.2 F-Dur, D.FAVRE - Vent de Folie, G.ROSSİNİ - Overture to William Tell, R.LEVİTT - Woodmen of the World, J.BOCK - Fiddler on the roof
|
| |
| Required Course Material(s) |
J.PEZEL - Sonata No.22, J.BRAHMS - Guten Abenp, Gut Nach, WEBER - Cher Aus Furvanthe, J.WİLLİAMS - Olympic Fanfare and Theme, H.PURCELL - Trumpet Voluntray, G.A.ROSSİNİ - William Tell Overture, M.PENELLA - El Gato Montes
|
|
|
| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
|
1 |
Students gains the ability to fulfil the Wind-Percussion Instruments Education Program.
|
5 |
|
2 |
Students perform the works of art contained in the Wind-Percussion Instruments Education Program in technical and musical sense. |
4 |
|
3 |
Students can do theoretical studies with their professional knowledge to get to get information about the national and international music literature. |
1 |
|
4 |
Students can do practical studies with their professional knowledge to get to get information about the national and international music literature. |
4 |
|
5 |
Students perform the selected Works in the education programme in technical and musical sense. |
4 |
|
6 |
Students are able to independently carry out an advanced study related to their own field. |
2 |
|
7 |
Students gain a positive attitude towards learning and improving the Wind-Percussion Instruments education |
4 |
|
8 |
Students evaluate and perform the advanced level of skills and knowledge acquired in their own field with a critical perspective. |
2 |
|
9 |
Students gain an awareness of being a national and international artist who knows the responsibility he should undertake. |
4 |
|
10 |
Students gain the habit and awareness of getting the art ethics and professional discipline |
5 |
|
11 |
Students gain the ability to have musical synergy working together with their colleagues during the performance period. |
5 |
|
12 |
Students gain the ability to decipher the works of art in technical and musical sense. |
5 |
|
13 |
This programme helps students to perform the works of art that will be played on the stage with the group. |
5 |
|
14 |
In addition to Professional development, students improve themselves continually in scientific, social, cultural and sports fields for their personal development. |
1 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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