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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
Definition of the Course, Course Objectives, Course Content and Discussion on Course Curriculum, questions related to the participation to the course |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
2 |
What is art? What is aesthetic judgment? |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
3 |
What is art? What is aesthetic judgment? Discussions on these questions with examples. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
4 |
The links between the aesthetic and philosophical approaches and the production of the artwork. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
5 |
Discussions with examples on the links between the aesthetic and philosophical approaches and the production of the artwork. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
6 |
Introduction to the history of aesthetics. the aesthetic conceptions in ancient times, |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
7 |
Discussions with examples on understandings of aesthetic In ancient times. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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8 |
Plato´s and Aristotle´s ideas about art and aesthetics and their comparison. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
9 |
Discussions with examples on Plato´s and Aristotle´s ideas about art and aesthetics and their comparison. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
10 |
Determination of the foundations of ancient and medieval aesthetics. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
11 |
Discussion with examples on the determination of the foundations of ancient and medieval aesthetics. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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12 |
The comparison between Archaic Age and the Middle Ages aesthetics. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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13 |
Discussions with examples on the comparison between Archaic Age and the Middle Ages aesthetics. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
14 |
Mid-term exam |
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|
15 |
Period analysis and general revision |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
16 |
Period analysis and general revision |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
17 |
Social History and Aesthetics. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
18 |
Discussion with examples on Social History and Aesthetics |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
19 |
Aesthetics of the Renaissance. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
20 |
Discussion with examples on Renaissance aesthetics. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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21 |
Comparison of Medieval and Renaissance aesthetics. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
22 |
Discussions with examples on comparison of Medieval and Renaissance aesthetics. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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23 |
Aesthetic from Enlightenment to 21th century |
Reading the source,, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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24 |
Discussions with examples on Aesthetic from Enlightenment to 21th century |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
|
25 |
Modernism and Aesthetics. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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26 |
Discussion with examples on Aesthetic Modernism |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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27 |
Mid-term exam |
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Small Group Discussion - Lecture - Discussion - Brainstorming |
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28 |
Discussions with examples on the periodic effects on transformation of the concept of aesthetic. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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29 |
Postmodernism and Aesthetics. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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30 |
Discussions with examples on Postmodernism and Aesthetics. |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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31 |
Preparation for Final Exam |
Reading the source, Research |
Small Group Discussion - Lecture - Discussion - Brainstorming |
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32/33/34 |
Fina lExam |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
|
1 |
With the help of techniques and methods of acting, this programme teaches the ways of expressing the emotions and thoughts of the character to play on stage. |
0 |
|
2 |
Students comprehensively search for the national and international theatre literature, techniques and methods, synthesize the knowledge they acquired considering the requirements of the age and gain a critical point of view. |
3 |
|
3 |
Taking the art of Theatre-Acting into consideration, students comprehend the improvement and transformation period of the art from past to the future, and adapt it according to the requirements of the age. |
3 |
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4 |
The Art of Theatre-Acting is supported with methods, theories, history, the techniques of using voice and body, behavioral psychology, and aesthetics and art theories. This programme helps undergraduates to comprehend the concept of art and have the knowledge sufficient to transfer to the future with the past. |
5 |
|
5 |
This programme teaches the ways of gaining the ability of using Turkish correctly and efficiently. |
0 |
|
6 |
Having sufficient information on stage technology, students comprehend how to express the artistic expression images of the play. |
1 |
|
7 |
Considering the art of Theatre-Acting, students learn a social and aesthetic point of view and can apply this on performing arts, radio, television and cinema. |
4 |
|
8 |
Students gain the ability to evaluate universal values with the knowledge acquired in their own field of study. |
5 |
|
9 |
This programme provides with the ways of finding the necessary documents, tools, resources, and the archive related to the art of theater - acting. |
2 |
|
10 |
Improving coordination skills, students know about and analyze their own body, emotions and thoughts and gain the ability to use their natural mechanism as an instrument on the stage. |
0 |
|
11 |
Students gain the ability to present information related to the Art of Theatre-Acting to various audiences. |
1 |
|
12 |
Students gain awareness of being an artist who is aware of the responsibility to themselves, their own country and to the humanity. |
4 |
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13 |
In addition to acting techniques, this programme teaches the correct ways of using body on stage with movement, dance, body plastic and fencing disciplines.
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0 |
|
14 |
This programme teaches the ways of using voice correctly on stage supporting this with the voice and speech techniques, singing, solfege and ear training. |
0 |
|
15 |
Students gain communication and social competence skills as a natural part of the art of theater - acting. |
2 |
|
16 |
Students gain the habit and awareness of having art ethics and professional discipline together with the professional acting qualifications. |
1 |
|
17 |
As an artist, students improve themselves continually, and combine the knowledge and skills appropriate for the rules of professional ethics with the other fields of art and make correlations between them. |
4 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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