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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
Phonation studies on resonance exercises |
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Presentation,special support/structural examples |
|
2 |
volume exercises which develop voice flexibility. |
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Presentation,special support/structural examples |
|
3 |
Phonation exercises on hopping ranges |
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Presentation,special support/structural examples |
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4 |
phonation exercises with vocal alternating |
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Presentation,special support/structural examples |
|
5 |
voice exercises which are helpful for the development of high pitched timbre. |
|
Presentation,special support/structural examples |
|
6 |
Warm-up and introduction to sound support (Sostenuto) studies. |
|
Presentation,special support/structural examples |
|
7 |
Practices on sound support (Sostenuto) studies.. |
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Presentation,special support/structural examples |
|
8 |
Legato (Optional) singing studies |
|
Presentation,special support/structural examples |
|
9 |
Renovation study of breath in a long sentence. |
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Presentation,special support/structural examples |
|
10 |
introduction to Non Legato (Footloose) singing studies. |
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Presentation,special support/structural examples |
|
11 |
Practices on Non Legato (Footloose) singing studies. |
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Presentation,special support/structural examples |
|
12 |
phonation exercises which gain voice activity (agility) |
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Presentation,special support/structural examples |
|
13 |
Midterm Exam |
|
Presentation,special support/structural examples |
|
14 |
Warm-up and phonation exercises which develop low-pitched sounds |
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Presentation,special support/structural examples |
|
15 |
Semester analysis and general revision. |
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Presentation,special support/structural examples |
|
16 |
Semester analysis and general revision. |
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Presentation,special support/structural examples |
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17 |
Introduction to Marcato and staccato singing studies. |
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Presentation,special support/structural examples |
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18 |
Practices on Marcato and staccato singing studies. |
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Presentation,special support/structural examples |
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19 |
Phonation exercises on placement and development of the high-pitched tones. |
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Presentation,special support/structural examples |
|
20 |
Selecting the musical work or aria that is appropriate for the curriculum. |
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Presentation,special support/structural examples |
|
21 |
Deciphering of the work |
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Presentation,special support/structural examples |
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22 |
Repetition of deciphering of the work, pronunciation and translation studies |
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Presentation,special support/structural examples |
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23 |
Practices on sound support (Sostenuto) studies. |
|
Presentation,special support/structural examples |
|
24 |
phonation exercises that gain activity (agility) to voice. |
|
Presentation,special support/structural examples |
|
25 |
Marcato and staccato singing studies. |
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Presentation,special support/structural examples |
|
26 |
Study on the work with the help of correpetition (aacompaniment) |
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Presentation,special support/structural examples |
|
27 |
Warm-up and phonation exercises that develop the lower and upper limits of sound. |
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Presentation,special support/structural examples |
|
28 |
Midterm Exam |
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Presentation,special support/structural examples |
|
29 |
Octave studies |
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Presentation,special support/structural examples |
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30 |
Octave studies |
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Presentation,special support/structural examples |
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31 |
Final exam preparation |
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Presentation,special support/structural examples |
|
32/33/34 |
Final. |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
|
1 |
With the help of techniques and methods of acting, this programme teaches the ways of expressing the emotions and thoughts of the character to play on stage. |
3 |
|
2 |
Students comprehensively search for the national and international theatre literature, techniques and methods, synthesize the knowledge they acquired considering the requirements of the age and gain a critical point of view. |
1 |
|
3 |
Taking the art of Theatre-Acting into consideration, students comprehend the improvement and transformation period of the art from past to the future, and adapt it according to the requirements of the age. |
1 |
|
4 |
The Art of Theatre-Acting is supported with methods, theories, history, the techniques of using voice and body, behavioral psychology, and aesthetics and art theories. This programme helps undergraduates to comprehend the concept of art and have the knowledge sufficient to transfer to the future with the past. |
3 |
|
5 |
This programme teaches the ways of gaining the ability of using Turkish correctly and efficiently. |
2 |
|
6 |
Having sufficient information on stage technology, students comprehend how to express the artistic expression images of the play. |
0 |
|
7 |
Considering the art of Theatre-Acting, students learn a social and aesthetic point of view and can apply this on performing arts, radio, television and cinema. |
1 |
|
8 |
Students gain the ability to evaluate universal values with the knowledge acquired in their own field of study. |
1 |
|
9 |
This programme provides with the ways of finding the necessary documents, tools, resources, and the archive related to the art of theater - acting. |
0 |
|
10 |
Improving coordination skills, students know about and analyze their own body, emotions and thoughts and gain the ability to use their natural mechanism as an instrument on the stage. |
3 |
|
11 |
Students gain the ability to present information related to the Art of Theatre-Acting to various audiences. |
2 |
|
12 |
Students gain awareness of being an artist who is aware of the responsibility to themselves, their own country and to the humanity. |
2 |
|
13 |
In addition to acting techniques, this programme teaches the correct ways of using body on stage with movement, dance, body plastic and fencing disciplines.
|
0 |
|
14 |
This programme teaches the ways of using voice correctly on stage supporting this with the voice and speech techniques, singing, solfege and ear training. |
5 |
|
15 |
Students gain communication and social competence skills as a natural part of the art of theater - acting. |
2 |
|
16 |
Students gain the habit and awareness of having art ethics and professional discipline together with the professional acting qualifications. |
2 |
|
17 |
As an artist, students improve themselves continually, and combine the knowledge and skills appropriate for the rules of professional ethics with the other fields of art and make correlations between them. |
2 |
|
18 |
Students will have the ability to search, discover, create alternative solutions, reach information, think critically and engage in productive discussions for personal and professional growth. |
0 |
|
19 |
In addition to professional development, students continue to improve themselves in the scientific, social, cultural and athletic fields. |
0 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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