Course Description |
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Course Name |
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Fencing |
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Course Code |
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YMOP413 |
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Course Type |
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Optional |
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Level of Course |
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First Cycle |
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Year of Study |
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5 |
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Course Semester |
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Fall and Spring (32 Weeks) |
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ECTS |
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3 |
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Name of Lecturer(s) |
: |
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Learning Outcomes of the Course |
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Develops and applies the abilities like overall balance, softness, concentration, coordination, reflexes, timing, action-reaction relationship, adapting to rhythm changes on the stage. Understands the importance of movement - breathing coordination. Understands and appliesthe ability to act on the stage as plastic and rhythmic . Applies basic fencing exercises Understands the historical development of fencing. Understand the importance of basic fencing awareness. Knows and applies the right techniques to use weapons Recognizes and distinguishes the weapons. Knows and applies simple attack and defense techniques. Understands and applies the ability of thinking and reacting quickly while performing an action.
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Mode of Delivery |
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Face-to-Face |
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Prerequisites and Co-Prerequisites |
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None |
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Recommended Optional Programme Components |
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None |
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Aim(s) of Course |
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The course aims to help students develop their stage performance by improving their abilities like posture, awareness, overall balance, softness, concentration, coordination, reflexes, timing, action-reaction relationship, and adapting to changes of rhythm on the stage through practicing the use of the basic weapons (swords, smallsword, Epee) with their application methods and techniques. |
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Course Contents |
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Fencing lessons contains rules related to sword, smallsword, epee and their uses. |
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Language of Instruction |
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Turkish |
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Work Place |
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Studio |
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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
Meeting with students and Introduction of intra-year studies |
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Presentation - Special Support / Structural Examples |
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2 |
Overview of the history of Fencing |
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Presentation - Special Support / Structural Examples |
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3 |
Recognizing weapons |
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Presentation - Special Support / Structural Examples |
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4 |
Understanding the general information about the art of fencing |
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Presentation - Special Support / Structural Examples |
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5 |
Greeting studies and applications |
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Presentation - Special Support / Structural Examples |
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6 |
Introduction to posture and gait studies |
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Presentation - Special Support / Structural Examples |
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7 |
Studying and practicing walking back and forth |
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Presentation - Special Support / Structural Examples |
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8 |
Studying and practicing walking back and forth |
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Presentation - Special Support / Structural Examples |
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9 |
Studying and practicing walking back and forth |
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Presentation - Special Support / Structural Examples |
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10 |
Studying and practicing distance |
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Presentation - Special Support / Structural Examples |
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11 |
Studying and practicing distance |
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Presentation - Special Support / Structural Examples |
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12 |
Studying and practicing the front-rear cross movements |
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Presentation - Special Support / Structural Examples |
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13 |
Studying and practicing the front-rear cross movements |
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Presentation - Special Support / Structural Examples |
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14 |
General evaluation and detection of deficiencies |
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Presentation - Special Support / Structural Examples |
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15 |
Semester analysis and general revision. |
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16 |
Semester analysis and general revision. |
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17 |
Introduction to holding weapons. |
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Presentation - Special Support / Structural Examples |
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18 |
Studying and practicing how to hold a weapon. |
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Presentation - Special Support / Structural Examples |
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19 |
Studying and practicing how to hold a weapon. |
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Presentation - Special Support / Structural Examples |
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20 |
Teaching and applying the technique of the move. |
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Presentation - Special Support / Structural Examples |
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21 |
Move via 6 line on foot and move on foot with attacks. |
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Presentation - Special Support / Structural Examples |
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22 |
Move via 4 line on foot and move on foot with attacks. |
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Presentation - Special Support / Structural Examples |
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23 |
Move via 8 line on foot and move on foot with attacks. |
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Presentation - Special Support / Structural Examples |
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24 |
Move via 7 line on foot and move on foot with attacks. |
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Presentation - Special Support / Structural Examples |
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25 |
6 via line parad riposte works. |
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Presentation - Special Support / Structural Examples |
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26 |
4 via line parad riposte works. |
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Presentation - Special Support / Structural Examples |
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27 |
8 via line parad riposte works. |
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Notation - Special Support / Structural Examples |
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28 |
Semester analysis and general revision. |
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29 |
Introduction to combined movements |
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Presentation - Special Support / Structural Examples |
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30 |
Studying and practicing combined movements. |
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Presentation - Special Support / Structural Examples |
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31 |
Preparation for the final exam |
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32/33/34 |
Final exam |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
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1 |
Gains the ability to review advanced knowledge and skills acquired in the field critically |
0 |
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2 |
As a performing artist, has a sense of ethics of art and professional disipline. |
5 |
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3 |
Gains the musical and technical ability to interpret national and international works of literature on the stage through Opera singing techniques and methods. |
0 |
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4 |
Gains the ability to use voice mechanism accurately and efficiently on the stage, to ensure breath coordination and to protect voice health. |
0 |
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5 |
Gains the ability to review universal values with the knowledge acquired in their field of study. |
0 |
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6 |
Gains the sensitivity of being an artist who is aware of the responsibilities towards his nation, himself and humanity. |
5 |
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7 |
Besides singing technique, controls his body successfully thanks to the abilities acquired through dance, stage and fencing disciplines. |
5 |
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8 |
Improves the practical ability of singing ability which is developed through acquiring technical knowledge together with the acting ability on the stage. |
0 |
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9 |
Gains the ability to provide all kinds of national and international singing literature documents, equipments, resources and archive related to his field. |
3 |
|
10 |
Gains the ability to individually maintain the process of practicing on works which he is responsible for. |
1 |
|
11 |
Constantly improves himself as a man of art, and follows the current activities related to his art closely. |
2 |
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12 |
Gains the ability to use his natural mechanism on the stage as an instrument by improving his coordination abilities and by recognizing and analyzing his own body, emotions, and thoughts. |
3 |
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13 |
As well as having a sense of social responsibility, owns communication and social skills requried by performing arts. |
0 |
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14 |
Gains the ability to transfer his knowledge on the art of opera singing to different audiences. |
0 |
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15 |
Has the ability of focusing on the scene, using his imagination and observation skills, the ability to have a reflex and to use the memory of the musical scene. |
4 |
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16 |
Develops the ability of creating a character on the stage, maintaining mastery of work, singing with a partner and feeling the partner. |
0 |
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17 |
As a man of art, tries to establish ties with other art fields by associating his knowledge and skills according to the rules of professional ethics. |
0 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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