Course Description |
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Course Name |
: |
Assistant Piano |
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Course Code |
: |
YMOP308 |
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Course Type |
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Optional |
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Level of Course |
: |
First Cycle |
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Year of Study |
: |
4 |
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Course Semester |
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Fall and Spring (32 Weeks) |
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ECTS |
: |
3 |
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Name of Lecturer(s) |
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Asst.Prof.Dr. ULVİYEGÜLER San.Öğ.El. ZEKİYE DUYGU ESEN |
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Learning Outcomes of the Course |
: |
Practices opera works with piano accompaniment. Does voice training exercises with the piano. Recognizes the piano literature. Learns how to play the piano technically and musically. Improves the ability of solfege and harmony through piano practices. Gains ability to transfer his/her Opera Singing knowledge to other audiences. Gains the ability to maintain the working process on the works that he/she is responsible for. Improves the ability of deciphiring opera works with piano.
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Mode of Delivery |
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Face-to-Face |
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Prerequisites and Co-Prerequisites |
: |
None |
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Recommended Optional Programme Components |
: |
None |
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Aim(s) of Course |
: |
Learning to play the piano technically, using the acquired knowledge for professional development. |
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Course Contents |
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Playing easy and intermediate level piano works of literature technically and musically. |
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Language of Instruction |
: |
Turkish |
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Work Place |
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Piano practice rooms,classrooms |
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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
Determining the levels of the students and giving homework |
Individual study |
Lectures-homework |
|
2 |
practicing 144th piece with seperate hands |
Individual study |
presentation |
|
3 |
vising 144th piece and practicing 154th piece with right hand |
Individual study |
presentation |
|
4 |
revising 144th piece and practicing 154th piece with right and left hands |
Individual study |
presentation |
|
5 |
revising 144th piece with musical comment and practicing 154th piece with two hands |
Individual study |
presentation |
|
6 |
revising 144th and 154th pieces |
Individual study |
presentation |
|
7 |
Evaluation. Assigning new piano pieces. |
Individual study |
presentation-homework |
|
8 |
Practicing the sonatin that has been chosen with right hand |
Individual study |
presentation |
|
9 |
Practicing the chosen sonation with right hand |
Individual study |
presentation |
|
10 |
Practicing the chosen sonatin with left hand |
Individual study |
presentation |
|
11 |
Revising playing the sonation with the left hand |
Individual study |
presentation |
|
12 |
Practicing the chosen sonatin with two hands |
Individual study |
presentation |
|
13 |
revision and playing the chosen sonation with nuance |
Individual study |
presentation |
|
14 |
Practicing the chosen sonatin with two hands and nuance |
Individual study |
presentation |
|
15 |
revision of 144th,154th pieces and sonatin |
Individual study |
presentation |
|
16 |
General revision |
Individual study |
presentation-homework |
|
17 |
choosing a piece from Burgmüller´s etude and playing it with right hand |
Individual study |
presentation |
|
18 |
studying the nuance and technical orthography of the chosen piece. |
Individual study |
presentation |
|
19 |
playing the piece with seperate hands |
Individual study |
presentation |
|
20 |
playing the piece with seperate hands and with nuance |
Individual study |
presentation |
|
21 |
playing with two hands |
Individual study |
presentation |
|
22 |
choosing a menuet by Der Erste Bach |
Individual study |
presentation-homework |
|
23 |
playing the menuet with seperate hands |
Individual study |
presentation |
|
24 |
playing the menuet with seperate hands and with nuance |
Individual study |
presentation |
|
25 |
Listening to the homework. Playing the menuet with two hands |
Individual study |
presentation |
|
26 |
playing the piece from Burgmüller´s etude with two hands |
Individual study |
presentation |
|
27 |
playing the piece from Burgmüller´s etüde with two hands and with nuance |
Individual study |
presentation |
|
28 |
revising the piece and the menuet with two hands technically and musically |
Individual study |
presentation |
|
29 |
General revision |
Individual study |
presentation |
|
30 |
Selecting the exam pieces |
Individual study |
presentation-homework |
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31 |
Revision of the exam pieces |
Individual study |
presentation-homework |
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32/33/34 |
Final exam |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
|
1 |
Gains the ability to review advanced knowledge and skills acquired in the field critically |
0 |
|
2 |
As a performing artist, has a sense of ethics of art and professional disipline. |
3 |
|
3 |
Gains the musical and technical ability to interpret national and international works of literature on the stage through Opera singing techniques and methods. |
0 |
|
4 |
Gains the ability to use voice mechanism accurately and efficiently on the stage, to ensure breath coordination and to protect voice health. |
0 |
|
5 |
Gains the ability to review universal values with the knowledge acquired in their field of study. |
3 |
|
6 |
Gains the sensitivity of being an artist who is aware of the responsibilities towards his nation, himself and humanity. |
4 |
|
7 |
Besides singing technique, controls his body successfully thanks to the abilities acquired through dance, stage and fencing disciplines. |
0 |
|
8 |
Improves the practical ability of singing ability which is developed through acquiring technical knowledge together with the acting ability on the stage. |
0 |
|
9 |
Gains the ability to provide all kinds of national and international singing literature documents, equipments, resources and archive related to his field. |
3 |
|
10 |
Gains the ability to individually maintain the process of practicing on works which he is responsible for. |
4 |
|
11 |
Constantly improves himself as a man of art, and follows the current activities related to his art closely. |
3 |
|
12 |
Gains the ability to use his natural mechanism on the stage as an instrument by improving his coordination abilities and by recognizing and analyzing his own body, emotions, and thoughts. |
2 |
|
13 |
As well as having a sense of social responsibility, owns communication and social skills requried by performing arts. |
4 |
|
14 |
Gains the ability to transfer his knowledge on the art of opera singing to different audiences. |
2 |
|
15 |
Has the ability of focusing on the scene, using his imagination and observation skills, the ability to have a reflex and to use the memory of the musical scene. |
3 |
|
16 |
Develops the ability of creating a character on the stage, maintaining mastery of work, singing with a partner and feeling the partner. |
3 |
|
17 |
As a man of art, tries to establish ties with other art fields by associating his knowledge and skills according to the rules of professional ethics. |
2 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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