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Course Outline /Schedule (Weekly) Planned Learning Activities |
| Week | Subject | Student's Preliminary Work | Learning Activities and Teaching Methods |
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1 |
Fr. Chopin, Prelude Op.28-No.4 |
Related topics in the textbook |
presentation |
|
2 |
Fr. Chopin, Prelude Op.28-No.4-5 |
Related topics in the textbook |
presentation |
|
3 |
JS Bach, Chorale (Selected by related instructor) |
Related topics in the textbook |
presentation |
|
4 |
WAMozart, 2.Band KV.331-Piano Sonata No.11, Part 1 |
Related topics in the textbook |
presentation |
|
5 |
KV.331-No.11, 1st variation |
Related topics in the textbook |
presentation |
|
6 |
KV.331-No.11, 2nd variation |
Related topics in the textbook |
presentation |
|
7 |
KV.331-No.11, 3rd variation |
Related topics in the textbook |
presentation |
|
8 |
KV.331-No.11, 4th variation |
Related topics in the textbook |
presentation |
|
9 |
KV.331-No.11, 5th variation |
Related topics in the textbook |
presentation |
|
10 |
KV.331-No.11, 6th variation |
Related topics in the textbook |
presentation |
|
11 |
KV.331-No.11, Part 2 |
Related topics in the textbook |
presentation |
|
12 |
KV.331-No.11, Part 3 (Alla Turca) |
Related topics in the textbook |
presentation |
|
13 |
JS Bach, Chorale (Selected by related instructor) |
Related topics in the textbook |
presentation |
|
14 |
JS Bach, Chorale (Selected by relatedinstructor) |
Related topics in the textbook |
presentation |
|
15 |
Midterm Exam |
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Evaluation |
|
16 |
J. Haydn, Piano Sonata No.16 2.Band, Part 1 |
Related topics in the textbook |
presentation |
|
17 |
No.16, Part 2 |
Related topics in the textbook |
presentation |
|
18 |
No.16, Part 3 |
Related topics in the textbook |
presentation |
|
19 |
JS Bach, Chorale (Selected by related instructor) |
Related topics in the textbook |
presentation |
|
20 |
J. Haydn, Piano Sonata No.17 2.Band, Part 1 |
Related topics in the textbook |
presentation |
|
21 |
No.17, Part 2 |
Related topics in the textbook |
presentation |
|
22 |
No.17, Part 3 |
Related topics in the textbook |
presentation |
|
23 |
JS Bach, Chorale (Selected by relatedinstructor) |
Related topics in the textbook |
presentation |
|
24 |
J. Haydn, Piano Sonata No.18 2.Band, Part 1 |
Related topics in the textbook |
presentation |
|
25 |
No.18, Part 2 |
Related topics in the textbook |
presentation |
|
26 |
No.18, Part 3 |
Related topics in the textbook |
presentation |
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27 |
JS Bach, Chorale (Selected by related instructor) |
Related topics in the textbook |
presentation |
|
28 |
J. Haydn, Piano Sonata No.19 2.Band, Part 1 |
Related topics in the textbook |
presentation |
|
29 |
No.19, Part 2 |
Related topics in the textbook |
presentation |
|
30 |
No.19, Part 3 |
Related topics in the textbook |
presentation |
|
31 |
JS Bach, Chorale (Selected by related instructor) |
Related topics in the textbook |
presentation |
|
32/33/34 |
Final Examination |
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Evaluation |
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| Contribution of the Course to Key Learning Outcomes |
| # | Key Learning Outcome | Contribution* |
|
1 |
Students gain the ability to fulfill the Piano Education Programme. |
3 |
|
2 |
Students perform the works of art in the Piano Education Programme in technical and musical terms. |
3 |
|
3 |
Students work theoretically, with their profesional knowledge, to get information about the national and international musical literature. |
4 |
|
4 |
Students improve their musical memory because of the necessity that the selected works in the exams and concerts should be played by heart. |
0 |
|
5 |
Students work practically, with their profesional knowledge, to get information about the national and international musical literature. |
4 |
|
6 |
Students perform the selected works in the Education Programme in technical and musical terms. |
0 |
|
7 |
Students can independently conduct an advanced study related to their own field. |
5 |
|
8 |
Students gain positive attitudes to learn and improve the piano education. |
5 |
|
9 |
Students can critically evaluate and perform the advanced knowledge and skills acquired in the field. |
0 |
|
10 |
Students gain awareness of being a national and international artist who is aware of the responsibility he should have. |
4 |
|
11 |
Students gain the conscious and habit of having art ethics and professional discipline. |
5 |
|
12 |
Students gain the ability to come together with their colleagues for musical synergy during the performance period. |
0 |
|
13 |
Students are able to accompany to the works they will play on stage with musical and technical methods with piano to the group or instrument on stage with musical techniques and methods. |
0 |
|
14 |
Students gain the ability to decipher the works technically and musically. |
4 |
|
15 |
In addition to professional development, students continue to improve themselves in scientific, social, cultural and athletic fields. |
0 |
| * Contribution levels are between 0 (not) and 5 (maximum). |
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